J Artistic Research special issue on Criticism (June 2014)

Website: http://www.jar-online.net
Deadline for submissions: 30 June 2014
Guest Editor: Mary Sherman

One of the most common terms bandied about in academic circles of late is ‘Artistic Research.’ It has become a regular feature in seminars, departments are being built around it, and exhibition texts are smattered with it. Yet, as the Journal for Artistic Research – a peer-reviewed journal of the Society for Artistic Research – reminds us, the term remains elusive. What JAR offers is not so much a definition of artistic research as examples of it. Recognising that text is only one of a number of possibilities to present research to a wider audience and taking advantage of online multimedia formats, the journal offers artists a space to unfold their research where they can use words and/or alternative modes of expressions, such as video, sound, and slide shows. The journal then provides a forum for peer-to-peer discussion.

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DRHA 2014 Conference: Communication Futures: Connecting interdisciplinary design practices in arts/culture, academia and the creative industries (Aug 2014, London UK)

Dates: 31 August – 3 September 2014
Location: London, UK
Website: http://www.drha2014.co.uk/
Deadline for submission of proposals: 14 April 2014

The University of Greenwich is glad to announce the Open Call for the Digital Research in the Humanities and Arts International Conference.

DRHA2014 is an annual conference whose goal is to bring together the creators, users, distributors, and custodians of digital research and resources in the arts, design and humanities to explore the capture, archiving and communication of complex and creative research processes. DRHA provides an intellectual and physical space for cross-disciplinary discussion and the generation of new ideas, resulting in many new networks and productive research relationships.

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Winter 2015 Issue of Museologies Les cahiers d’etudes superieures (May 2014)

Deadline for proposals: 14 May 2014
Contact: museologies2014@gmail.ca

This special issue will focus on the development of research exhibition as a creative process in contemporary art museums.
Guest Editor: Carmela Cucuzzella, Assistant Professor, Design and Computation Arts, Faculty of Fine Arts, Concordia University
Projected Publication Date: Winter 2015

We are accepting submissions in English or French.

This special issue of Museologies will explore ways that contemporary art museums are facing the challenges of exhibiting research as a result of a creative process. The challenges are many, since one of the many intents is to establish  a dialogue and inform viewers of the underlying reflection. Given this, what are the challenges for the exhibitor  (artists, researchers, curators)?

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CFP: The Hand and the Machine: Tensions in Interwar Design (SECAC, Sarasota FL – October 2014)

Venue: Southeastern College Art Conference

Dates: October 8-11, 2014
Location: Sarasota, Florida
Website: http://www.secollegeart.org/conference#papers
Deadline for submissions: April 20, 2014

The story is familiar: modernism’s post-World War I fascination with machines and technology – in architecture, industrial design, the decorative arts, and fashion – dissipated in the 1930s, replaced by a valorization of handicraft and a reemergence of the human subject. Where the machine aesthetic dominated design in the early 1920s, artists grew disenchanted with the signs of industry in the 1930s, focusing instead on the human subject, and crafting work to show the “hand” of the maker.  But is this tale of a “return to the hand” universally true? Are there certain mediums or national traditions that trouble the story?  This session solicits papers that examine the precarious dynamics of industry and the hand-made in the applied arts between the wars. We encourage a variety of perspectives within or beyond the powerhouse industrial economies of the West, and we hope, through the breadth of papers, to reassess the standard narrative of interwar design.

Session Co-Chairs: Toby Norris, Assumption College and Rachael Barron-Duncan, Central Michigan University.

Contact: tnorris@assumption.edu

The Art of Research V: Experience . Materiality. Articulation (Nov 2014, Helsinki Finland)

Dates: 26-27 November 2014
Location: Aalto University, School of Arts, Design and Architecture, Helsinki, Finland
Website: http://designresearch.aalto.fi/events/aor2014/
Deadline for submissions: 31 May 2014

Over the past two decades, a continuous dialogue and fruitful convergence between art and design related practices and research has been explored in the academic institutions. Involved in the contemporary discourse of practice-led research, the Art of Research Conference 2014 brings out the interactive and dynamic relationship between experience, materiality and articulation. How are different fields and media shaping these in novel ways through various methods, tools, and skills? How do research and practices operate from these relationships? Through these questions the main aim of the event is to engage in a shared exploration of bold and visionary thinking across different entangling practices.

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Cumulus Johannesburg: Design with the Other 90%: Changing the World by Design (Sep 2014, South Africa)

Dates: 22-24 September 2014
Location: Faculty of Art, Design and Architecture, University of Johannesburg; and Greenside Design Center (GDC)
Website: www.cumulusassociation.org
Deadline for submission of abstracts: 1 April 2014

In 2007, the Smithsonian’s Cooper-Hewitt National Design Museum hosted an exhibition entitled ‘Design for the other 90%’ which focused on design solutions that addressed the most basic needs of the 90% of the world’s population not traditionally served by professional designers. In 2008, Cumulus members signed the Kyoto Declaration, wherein they committed themselves to the ideals of sustainable development. The Cumulus Conference to be hosted by GDC and FADA seeks to bring discussions around the role art and design can and should play in sustainable social advancement, particularly in the context of the African Continent. Focusing on notions of respect, responsibility and sustainability, this conference seeks to explore the vital role that design, visual culture and design education plays in addressing pressing problems of our planet, particularly for under-served communities that are rarely benefactors of the work of artists and designers. It is envisaged that Africa’s distinctive capacity to respond to such problems will be highlighted.

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Special Issue of ACCESS – Supervising Practice: Perspectives on the Supervision of Creative Practice Research Higher Degrees (Jan 2014)

Website: http://www.tandfonline.com/toc/rept20/current#.UpaefTAyZ8G
Deadline for submissions: 30 January 2014

Guest Editors: Associate Professor Jillian Hamilton and Dr Sue Carson

This special Issue of ACCESS journal builds on the successful Effective Supervision of Creative Arts Research Degrees (ESCARD) conference at QUT, Australia in 2013. http://supervisioncreativeartsphd.net.

Papers should engage with issues relating to the supervision of higher research degrees that involve creative practice (in fields such as visual and performing arts, design, creative writing, film or new media) and focus on themes such as:

Assisting students in developing the relationship between theory and practice in the structure and/or form of the thesis/exegesis/dissertation;
Solving challenges encountered in supervision;
Designing training, strategies, tools, or resources to facilitate smooth student progress;
Supporting the academic or professional development of PhD students;
Academic development for supervisors of creative arts research degrees.

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Special Issue of Artifact: The Design Concept Anthology (March 2014)

Deadline for submissions: 3 March 2014
Website: http://scholarworks.iu.edu/journals/index.php/artifact/information/authors

Back in the 1990’s, the graphic designer Bruce Mau proclaimed that “everything is design.” However, when everything is design, nothing is design. This inherently contradictory nature of Mau’s statement enabled it to be read as a provocation as well as a promotion of the design concept. Today the echo from back then sounds hopelessly antiquated: the field has expanded to a state of formless dissolution and it is now commonplace to understand design as if not everything, then something close. The design concept is topical and trendy, it is discussed and used in a great many areas and in manifold ways; when it comes to content as well as scale the concept covers countless subjects, places, objects, and processes.

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JAR6: Journal of Artistic Research (Feb 2014)

Contact: jar@jar-online.net
Deadline for submissions: 28 February 2014

Unlike the traditional journal article format, JAR offers its contributors a free-to-use online writing space where text can be woven together with image, audio and video material. This new approach displays research practice in a manner that respects artists’ modes of presentation and incorporates web-enabled possibilities for collaboration, debate and discussion. The result is a journal that promotes experimental approaches to ‘writing up’ and provides a unique ‘reading’ experience, while carefully fulfilling the expectations of a peer-reviewed academic journal. We embrace research practices across and between disciplines, from artists worldwide, with or without academic affiliation.

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CHI2014 Workshop: Interaction and Architectural Space (April 2014, Toronto Canada)

Dates: 26-27 April 2014
Location: Toronto, Canada
Website: http://interactioninspaceworkshop.blogspot.com
Deadline for submissions: 10 January 2014

Our awareness of space and its role in the interaction process is becoming more distinct as we move from the earliest two-dimensional graphical user interface, through to games & virtual reality, and now emerging into mobile computing, urban computing, ambient computing, tangible computing and ubiquitous computing.

This workshop will bring together expertise from architecture and human computer interaction to foreground the role of space in the CHI community. We welcome participants from a range of disciplines including architecture, environmental and human factors psychology, computing, HCI, interaction design, digital arts, geography and cognitive science, as they all contribute to research on Interaction in Architectural Space.  As the workshop intends to bring together a community of researchers and designers who are creating interactive technologies in spatial settings, it invites any high-quality contributions relevant to the workshop topic.

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