COLOR/FORMS, Parsons & Cooper Hewitt Grad Symposium (April 2015; New York, NY)

CALL FOR PAPERS:
Color/Forms

The Twenty-Fourth Annual Parsons/Cooper Hewitt Graduate Student Symposium on the History of Design

Cooper Hewitt, Smithsonian Design Museum, New York.
April 23 and 24, 2015.

Deadline for proposals: January 26, 2015

This symposium is seeking papers on the forms color takes and the roles color plays in the meanings of design and the decorative arts since the Renaissance. We are especially interested in research that touches on moments of change: for example, on transitions from monochrome to full-color production, or when particular colors became available, fashionable or unfashionable.

Coloration is intrinsic to the social meanings of objects. Colors shape our interaction with things and other people in fundamental ways; they can appeal to our most visceral senses of pleasure or desire. Colors affect behaviors, and we use colors metaphorically to describe attitudes, feelings and moods. In the world of consumer goods, the need to produce certain colors has driven innovations in mechanical processes, and markets can rise and fall based on color trends.

Areas of investigation might involve:

  • Graphic design and broadcast media–e.g. color printing in lithographs, newspapers and magazines; day-glo color inks and psychedelic design; Technicolor and other cinematic color systems; the advent of color television; etc.
  • Fashion and costume studies–e.g. color, or lack thereof, in menswear; aniline dyes and other technologies of coloration; color forecasting; etc.
  • Industrial design–e.g. colored plastics; anodized aluminum; the color of high technology (silver, black, white, beige) or domestic appliances; color theory and consumer choice; color-customizable products; colors in toys; etc.
  • Decorative arts–e.g. hand-painted and printed colors ceramics; tapestry, color-changing fabrics and other textiles; polychromy in sculpture; etc.
  • Architecture and interior design–e.g. colored exterior lighting; psychologies of colored interiors; wallpapers; “white cities” and exhibition architecture; etc.
  • …or any number of related fields of production and consumption.

Proposals are welcome from graduate students at any level in fields such as History of the Decorative Arts, History of Design, Curatorial Studies, Design Studies, Art History, History of Architecture, Design and Technology, Media Studies, Consumer Studies, Cultural Anthropology, Sociology, and other fields.

The symposium’s Catherine Hoover Voorsanger Keynote speaker will be Jeffrey L. Meikle, Stiles Professor in American Studies and Professor of Art History at the University of Texas at Austin, speaking on “Postcard Modernism: Landscapes, Cityscapes, and American Visual Culture, 1931-1950.” Dr. Meikle is one of the leading voices in design history and cultural history. His renown scholarship extends to industrial design and technology, popular print media, and alternative cultures from 1950 to the present. His books include Twentieth Century Limited: Industrial Design in America, 1925-1939 (1982); American Plastic: A Cultural History (1995); and Design in the USA (2005).

The Keynote will be on Thursday evening, April 23, 2015 and the symposium sessions will be in the morning and afternoon on Friday, April 24.

To submit a proposal, send a two-page abstract, one-page bibliography and a c.v. to:

Ethan Robey
Associate Director, MA Program in the History of Design and Curatorial Studies
robeye@newschool.edu

Deadline for proposals: January 26, 2015

The symposium is sponsored by the MA Program in the History of Design and Curatorial Studies offered jointly by Cooper Hewitt, Smithsonian Design Museum and Parsons The New School for Design

CFP – “Critical Making: Design & the Digital Humanities” Visible Language special issue

​​Call for Proposals

“Critical Making: Design and the Digital Humanities”
Special issue of Visible Language

Proposal deadline: January 15, 2015
Anticipated publication: October 2015

Co-editors: Jessica Barness, Amy Papaelias

Download PDF:  http://bit.ly/1zQQa4k​

This special issue of Visible Language journal investigates critical making at the intersection of design and the digital humanities, which is a site for expanding the role(s) of divergent scholarly and creative work. Design and the digital humanities connect through critical making practices, centering on human experience and advancing the prevailing expectations of their respective disciplines. In keeping with the theme of merging form and content, the traditional printed journal will be expanded to include a corresponding online space for interactive and digital work. We invite dialogues on what defines scholarly works in regard to non-traditional forms of writing and disciplinary crossovers. For this issue, we encourage exploratory, creative works that incorporate evidence-based research through critical commentary, traditional analysis, audience responses or participant feedback.

Proposals should include a 300-word written abstract and a brief outline to show the structure of your argument. A corresponding visual abstract is strongly encouraged. For digital work, please include a URL or screenshots.

Please send proposals or inquiries through January 15, 2015 to Jessica Barness, jbarness@kent.edu

Design Management Europe (DME) Award (Nov 2014, France)

Date: 20 November 2014
Location: St. Etienne, France
Website: http://www.dmeaward.com
Deadline for submissions: 29 September 2014

DME Logo + Trophy copy

CALL FOR APPLICANTS – DME AWARD 2014/15

The Design Management Europe Award 2014/15 is now open for entries!

Be a winner of the only international Design Management Award!

The DME Award recognises successful design management and demonstrates how strategic practice of design management gives a competitive edge.

The DME Award Ceremony and the celebration of the winners will take place on the 20th of November, 2014 in St. Etienne, France.

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Call for Papers / Designs for the 2014 Fashion And Gender SYMPOSIUM May 1-2, 2015, St. Paul, Minnesota

Screen Shot 2014-07-08 at 12.11.19 PM

This symposium is the fourth in a symposium series entitled “Fashion And … ” connecting fashion with other themes of importance in today’s world. Members attending the symposia of Fashion And… examine the interconnections and intersections of fashion in today’s world.

Crane (2000, p. 16) noted that “fashionable clothes are used to make statements about social class and social identity but their principle messages are about the ways in which men women and men perceive their gender roles or are expected to perceive them.” Thus, for our fourth symposium we focus on relationships between fashion and gender.

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TOURETTE_Journal#0: WideOpen Call for Calls (22 June 2014)

Call for Calls

Call for Calls

 

Website: tourette-journal.tumblr.com

Deadline: 22 June 2014

Eligibility: Anybody is eligible. Authors may have a non-architectural background, but the call must fuel innovative debate within contemporary architectural discourse. Group submissions are allowed.

TOURETTE_journal looks at architecture as a loose and ever-changing discipline, dealing with everything spatial directly and by way of digital culture, shifting institutional ground, political and sociological issues, representational modes, drones and gorillas. Tourette recognizes the power of architectural discourse in the shaping of the discipline and the profession, and wishes to provide an open platform for the proliferating of ideas, debate and disagreement on issues related to the project of architecture in contemporary culture.

CALL: WIDEOPEN: Call for Calls offers winning applicants the opportunity to curate one issue of the journal and contribute to the all-too-contemporary quest for relevancy within architectural discourse. At a time of collective and disciplinary crisis, in which architecture is looking outside of itself in order to redefine its boundaries, WIDEOPEN looks for intriguing questions rather than easy answers, challenging doubts rather than soothing certainties. WIDEOPEN challenges issues of authoriality within the discipline by soliciting a collective effort and foregrounding participation. The first issue of the journal, gathering the collection of accepted calls, will read as a crowd sourced manifesto of contemporary architecture. The whole structure of the journal will revolve around this first issue, expanding it and implementing its scope.

THEMES: Submitted call for papers will deal with one of the following macrothemes/tagwords, expanding it, stretching it and counterubbing it in any way possible. The tagwords are intended to cover some significant moments in the process of design, but are intentionally ambiguous so as to encourage the most diverse interpretations of them:

.Prophecy

.Actors

.Representation

.Matter

.Machine

.Fate

CALENDAR:

May 2014: Call for Calls

22nd June: Submission deadline

29th June: notification of acceptance

August 2014: Tourette#0: WideOpen issue release

SUBMISSION GUIDELINES: For submission details refer to website: http://tourette-journal.tumblr.com/

CFP: The Hand and the Machine: Tensions in Interwar Design (SECAC, Sarasota FL – October 2014)

Venue: Southeastern College Art Conference

Dates: October 8-11, 2014
Location: Sarasota, Florida
Website: http://www.secollegeart.org/conference#papers
Deadline for submissions: April 20, 2014

The story is familiar: modernism’s post-World War I fascination with machines and technology – in architecture, industrial design, the decorative arts, and fashion – dissipated in the 1930s, replaced by a valorization of handicraft and a reemergence of the human subject. Where the machine aesthetic dominated design in the early 1920s, artists grew disenchanted with the signs of industry in the 1930s, focusing instead on the human subject, and crafting work to show the “hand” of the maker.  But is this tale of a “return to the hand” universally true? Are there certain mediums or national traditions that trouble the story?  This session solicits papers that examine the precarious dynamics of industry and the hand-made in the applied arts between the wars. We encourage a variety of perspectives within or beyond the powerhouse industrial economies of the West, and we hope, through the breadth of papers, to reassess the standard narrative of interwar design.

Session Co-Chairs: Toby Norris, Assumption College and Rachael Barron-Duncan, Central Michigan University.

Contact: tnorris@assumption.edu

Bridging the Divide: Developing & Applying Design Methodologies for Cross-Cultural Collaboration (March 2014, London, UK)

Symposium & Workshop Call for Participants

Date: Saturday 15th March 2014
Time: 9.30 – 18.00
Location: Lecture Theatre, Central Saint Martins, Kings Cross, London
Website: http://ual.force.com/apex/EventFormPage?id=a0RD0000009biQhMAI&book=true

We would like to invite participants for a one-day research symposium and workshop on cross-cultural collaboration. Facilitated by an AHRC Collaborative Skills Development Award, it is centred around the exhibition The Craft of Ubuntu: An Exploration of Collaboration through Making, which is being shown in Cape Town and London as part of the World Design Capital 2014 official programme. 

The speakers include guests from WDC2014 Cape Town: Professor Mugendi M’Rithaa (Cape Peninsula University of Technology), Andile Dyalvane (South African ceramicist), Dr Katherine Ladd (University of Brighton), Simon Maidment (Kingston University), Dr Kirsten Scott (RCA), Sarah Rhodes (CSM) and John Ballyn (Independent Design Consultant). 

Whilst the morning presentations will be on cross-disciplinary practice in an African context, the focus on the day is on wider cross-cultural collaboration in design and craft research. The discourse will centre on:

  • The success, and importantly, failure of such partnerships;
  • The politics of working together;
  • Negotiating collaboration across disciplinary and cultural borders:
  • What might future collaborations look like?

Attendance is by RSVP only – If you would like to attend, please send an email to Sarah Rhodes: s.rhodes1@arts.ac.uk 

 

The Publics of Art and Design (April 10 and 11, 2014)

CALL FOR PAPERS
The Twenty-Third Annual Parsons/Cooper-Hewitt Graduate Student Symposium on the Decorative Arts and Design

THE PUBLICS OF ART AND DESIGN
Parsons The New School for Design, New York.
April 10 and 11, 2014.

What happens to design in public? We are seeking papers that address issues of audience, user feedback, promotion and dissemination of objects from the Renaissance to the present. How does design become a dialogue between an object and its public? How are different publics delineated by their associations with objects? Papers might address such issues as: advertising and promotion of products; magazines or other vectors of publicity; retail spaces; museum exhibitions; world’s fairs; design for public spaces; theories of reception; domestication of design; or actors and networks.

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Final Call for Papers / Designs for the 2014 Fashion And Communication SYMPOSIUM May 2-3, 2014, St. Paul, Minnesota

Fashion is change and because it is change, fashion impacts nearly every aspect of our lives from the language we speak, the furniture we use, the homes we live in, the cars we drive, the clothes we wear, and the food we eat. Fashion also reflects social consensus and to achieve consensus we must have communication. Thus, for  our third symposium we focus on relationships between fashion and communication. We are interested in providing opportunities to share research findings, innovative teaching strategies, and designs that explore and investigate issues related to communication and fashion.

The symposium has an inclusive definition of the term “fashion”. While fashion is often understood to center on apparel choices, fashion can be recognized as the current style or way of behaving in any field. Thus, proposals are welcome from divergent fields such as architecture, anthropology, cultural studies, history, interior design, graphic design, psychology, sociology, and women’s studies among others.

Read more of this post

Call for Papers / Designs for the 2014 Fashion And Communication SYMPOSIUM May 2-3, 2014, St. Paul, Minnesota

Fashion is change and because it is change, fashion impacts nearly every aspect of our lives from the language we speak, the furniture we use, the homes we live in, the cars we drive, the clothes we wear, and the food we eat. Fashion also reflects social consensus and to achieve consensus we must have communication. Thus, for  our third symposium we focus on relationships between fashion and communication. We are interested in providing opportunities to share research findings, innovative teaching strategies, and designs that explore and investigate issues related to communication and fashion.

The symposium has an inclusive definition of the term “fashion”. While fashion is often understood to center on apparel choices, fashion can be recognized as the current style or way of behaving in any field. Thus, proposals are welcome from divergent fields such as architecture, anthropology, cultural studies, history, interior design, graphic design, psychology, sociology, and women’s studies among others.

Read more of this post

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