Deadline for submission: 1 December 2014
This special issue will be published as Volume 5, Issue 1, February 2015.
Guest editors: Philippe Chantepie (Ecole Polytechnique-Telecom Paris-Tech / Orange), Anda Becu=00 (National Institute for Research and Cultural Training), Dan Eugen Raiu (Babe-Bolyai University)
In the last decades of the 20th century the academic research has become aware of and interested in the changes brought by the industrialization and democratization of culture. Whatever the concepts used to define these changes – “information society”, “new economy”, “creative economy”, “knowledge-based economy”, or “network society”, they reflect the interest in the relation between culture, society and economy. Mass society corresponds to a high scale of production, distribution and consumption of cultural artifacts and services. In this context, the art for the sake of art becomes questionable and this has transformed the cultural field and the artists as well. A new definition of culture, more extensive and inclusive, was needed to express different values and practices. Authors like Pierre Bourdieu or Richard Florida opened the debate, by bringing into the attention of academic world social and cultural practices ignored before and they launched a new approach in their research field.
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